Antique Tables: English and French Oak, Mahogany and Walnut Antique Sofa, Gateleg, Writing Tables and Desks

AN OAK “CREDENCE” OR FOLDING TABLE with semi-circular hinged top, the
moulded frieze with a drawer and broad canted corners, the frame raised on four baluster legs joined by a platform stretcher, and with a baluster-shaped gateleg back support, 2ft 7in. high by 3ft. wide (78cm. by 103cm.) circa 1640, reconstructed.

A CHARLES II OAK TABLE with a moulded plank top, the frieze with a drawer and raised on ball-turned legs and stretchers, 2ft. 6in.

A CHARLES II OAK SIDE TABLE with cleated two-plank top, the frieze with a two
panelied drawer veneered in fruitwood on turned baluster legs of exaggerated form joined
by moulded stretchers, 2ft. 4V2in. high by 2ft. wide (72cm. by 90cm.) circa 1675, feet
and cleats restored.

A CHARLES II OVAL OAK GATELEG TABLE,
by a moulded flat stretcher, the gates with simple waved upnghts.

A RARE WILLIAM AND MARY CEDARWOOD TRIANGULAR TABLE, the triangular top
with three flaps with spring supports and opening to form a hexagonal top, raised on three
turned legs joined by similar stretchers, 2ft. 3′/2in. high by 2ft. 21hin. open (69cm. by 67cm.)
circa 1690, tip of one flap missing.

A RARE WILLIAM AND MARY OAK DINING TABLE, four hinged curved fiaps supported on
baluster legs joined by a moulded oval stretcher and massive.

AN OCTAGONAL OAK “CRICKET” TABLE with plank top, the moulded frieze and three
turned legs joined by a triangular shelf and three stretchers, 2ft. 6in. wide (76cm.) late-17th
Century, restored.

A GOOD OAK REFECTORY TABLE
with massive four-plank top and simple shaped walnut end supports
joined by a long bar, 2ft. 5in. high by 8ft. long by 3ft. 3in. wide (74cm. by 273cm. by 99cm.) partly constructed from I8th Century wood.

AN EARLY 18TH CENTURY REFECTORY TABLE in walnut and oak, the four plank
top on piain trestle end supports with piain stretcher and feet, 5ft. Hin. long by 2ft. 8V2in.
deep (180cm. by 82cm.) circa 1720.

A FINE PAIR OF GEORGE I LABURNUMWOOD-VENEERED CONCERT-ACTION CARD
TABLES, each quarter-veneered top with a crossbanding and projecting rounded corners,
the baize-lined interior with counter wells and candie-stands, the conforming frieze raised
on turned legs headed by piain lappets and ending in pad feet, 2ft. Win. wide (86cm.) circa
1720.

A FINE PAIR OF QUEEN ANNE BURR-WALNUT SEMI-ELLIPTICAL GAMES TABLES each
in well figured wood, each top with a moulded edge, a chevron banding and a broad
crossbanding, one with a velvet-lined interior crossbanded in walnut, the other with a
walnut-veneered interior crossbanded in oak, each plain frieze with a small chevron-
banded drawer at each side below a slide and raised on four simple cabriole legs with pad
feet, 2ft. 4in. high by 2ft. 6вОО. wide (71cm. by 77cm.) circa 1710.

A FINE GEORGE III PENWORK-DECORATED PEMBROKE TABLE in the French style,
the serpentine top with a central chinoiserie design of figures with a parasol and a child
within a broad floral border and an outer white border, the frieze with a chinoiserie
design, ivory knobs and a drawer surrounded by fruiting vines, the slender cabriole legs
headed by carved husks and decorated with fruiting vines, with brass castors, 2ft. 6in. long
by 3ft. ‘Ain. open (76cm. by 92cm.) circa 1780.

A FINE GEORGE III OVAL MAHOGANY PEMBROKE TABLE
in the French style, the flame-figured moulded top with a
narrow crossbanding, the bowed frieze with a drawer and raised on slender moulded cabriole legs headed by a fluted trumpet hung with a husk and with circular flowerhead brackets.

A GEORGE III OVAL MAHOGANY AND MARQUETRY URN TABLE, the galleried top
with satinwood banding engraved and stained with entwined leaves enclosing flowerheads
and with a narrow tulipwood outer banding, the frieze with a small slide and raised on
Square tapering legs headed by trailing garrya husks and a circular patera, 2ft. VMn. high
by lft. 2′/2in. wide (65cm. by 37cm.) circa 1780.

A FINE GEORGE II OCTAGONAL MAHOGANY TRIPOD TABLE, the gallery pierced with
Chinese fretwork and each side joining at the corner in a scroll, supported on a leaf-carved
trumpet and three tall inscrolled Supports carved with leaves and ending in bold scrolls,
2ft. 6in. high by lft. 8V4in. wide (76cm. by 51.5cm.) circa 1750.

A LATE 18TH CENTURY CHINESE LACQUER KNEEHOLE DRESSING OR WRITING
TABLE of slightly inverted breakfront form, the moulded top inset with a panel of gilt-
tooled green leather and with a frieze drawer and six short drawers flanking a recess with
three drawers, on bracket feet, decorated throughout with buildings and trees in gilt on
black, 2ft. 73Ain. high by 3ft. 8′Mn. wide (80cm. by 113cm.) late 18th Century, decoration
renewed, later top.

A GEORGE III SMALL MAHOGANY PEMBROKE TABLE, the top with a narrow
crossbanding and rounded corners with a frieze drawer and square tapering legs with
castors, 2ft. 33Ain. open (70.5cm.) circa 1780.

A FINE GEORGE III SATINWOOD MARQUETRY D-SHAPED SIDE TABLE, the top with
a swirling scrollwork hung with chains of flowers and with a giant shell medallion within
a main harewood border of ribbon meandering round seed pods and with two narrow
tulipwood crossbandings, the frieze and four square tapering legs inlaid with chains of
leaves with narrow kingwood crossbanding, 2ft. 7′Ain. high by 4ft. 6lAin. wide (79cm. by
138cm.) circa 1775.

A GOOD GEORGE III MAHOGANY TWO-PEDESTAL DINING TABLE with two extra
leaves, each hinged end with rounded corners and raised on a plain pillar and four canted
reeded sabre legs with plain brass toes and castors, 4ft. wide by lOft. 8in. long fully extended
(122cm. by 325cm.) circa 1800.

A REGENCY JAPANNED PEDESTAL TABLE, the hinged rectangular top with broad
canted corners and a chinoiserie scene in gilt with a woman seated by a table and a
fisherman walking towards a boat, on ebonised obelisk support and concave triangular
base, 2ft. 5′Ain. high by lft. 6in. wide (74cm. by 46cm.) circa 1810.

A REGENCY MAHOGANY FOLDING COACHING TABLE with hinged top and waved X-shaped
supports joined by turned stretchers, 3ft. Van. open (92cm.) circa 1815.

A LATE GEORGE III MAHOGANY KNEEHOLE WRITING TABLE
with a central frieze drawer above an arch flanked
to each skie by three drawers and a deep drawer resemble two drawers,
on a plain plinth base, ail the drawers painted (76cm. by 132.5cm.) 1810.

A PAIR OF OVAL TWO-TIER ETAGERE TABLES, each with a gilt-stamped black
leather-lined shelf on four pillars with pineapple finials and brass castors, 2ft. lin. high by
lft. 9lhin. long (63.5cm. by 54.5cm.).

A PAIR OF THREE-TIER ETAGERE TABLES of square shape, veneered in rosewood
and with gilt-brass column corners, with bail finials and castors, square (36cm )
19th Century.

A TWO-TIER ETAGERE TABLE,
each rectangular shelf veneered in rosewood with gilt-brass
border and gilt-brass circular legs and castors, lft. 8in. high by 2ft.

A LATE GEORGE III MAHOGANY SMALL TABLE, the top with rounded corners
above two drawers, the lower one panelled to resemble two drawers, on slender ringed
legs with castors, lft. 6′Ain. wide (46.5cm.) circa 1805.

A NEST OF THREE REGENCY ROSEWOOD TABLES, each on a pair of twist-ringed
pillars with downcurved legs joined by a straight stretcher.

AN IVORY-INLAID KINGWOOD-VENEERED TABLE
CABINET, the hinged lid and sides veneered with a brick
design with ivory ‘mortar’, the architectural front with
an arrangement of six short drawers flanking a dummy
drawer and a cupboard enclosing three long drawers,
the whole of the front inlaid with a eut ivory scrollwork,
lft. 5V4In. high by wide (44cm. by 75cm.) mid-
17th Century, probably Spanish.

A DUTCH MARQUETRY CENTRE TABLE, the top
inlaid with an oval set with flower vases flanked by
birds, within burr-walnut and maple crossbanding within
floral spandrels and a floral border above a similarly
inlaid frieze drawer, on square tapering legs ending in
blocks and joined by a concave X-stretcher, on later bun
feet, 2ft. 4lhin. high by 3ft. 7′Mn. wide (73cm. by 110cm.)
late 17th/early 18th Century.

A GILTWOOD SERPENTINE FRONTED CONSOLE TABLE
with a pierced C-scroll and acanthus leaf-carved apron
centred by a shell, on elaborately carved cabriole legs
hung with floral garlands and joined by an asymmetrical
pierced C-scroll and S-scroll stretcher with a grey marble
top, 2ft. 8in. high by 3ft. 9lMn. wide (81cm. by 116cm.)
circa 1750, probably German.

A DUTCH WALNUT MARQUETRY TRIPOD TABLE, the circular
hinged top inlaid with a flower vase within a scrolling garland,
on a ring-turned baluster stem and downcurved cabriole legs, 2ft. 5lhin.
high by 2ft. 4V2in. diam. (75cm. by 72.5cm.) mid-18th Century.

A DUTCH MARQUETRY CARD TABLE, the triangular
baize-lined top and frieze with chevron bandings and
boxwood stringing, with a vase of flowers above a
bearded mask, on four tapering legs with inlaid bands of
lighter wood, 2ft. 4′/2in. high by 4ft. lin. wide (72cm. by
124.5cm.) circa 1790.

A BIEDERMEIER FRUITWOOD SMALL TABLE with a
drawer and square tapering legs, 2ft. high by lft. Hin.
wide (61cm. by 58cm.) circa 1830.

A BIEDERMEIER FRUITWOOD JARDINIERE TABLE
with panelled frieze and square tapering legs, 2ft. wide
(73cm.) circa 1830.

A LATE GEORGE II MAHOGANY SIDE TABLE, with
moulded top and frieze drawer, on square chamfered
legs, 2ft. 4′/2in. high by 3ft. wide (72cm. by 93cm.)
circa 1760.

AN EARLY GEORGE III MAHOGANY SIDE TABLE,
with brass gallery, plain frieze, with square chamfered
legs headed by pierced fluted brackets, 2ft. Hin. high by
6ft. wide (89cm. by 183cm.).

A GEORGE III MAHOGANY TOILET TABLE, with a
rising adjustable mirror and a divided hinged top
enclosing apertures for fitments with a cupboard and
square chamfered legs joined by a concave platform,
lft. 4in. wide (41cm.) circa 1770.

A GEORGE III MAHOGANY EXTENDING DINING TABLE,
with a pair of leaves, each D-shaped end raised on four
square tapering legs, 4ft. wide by 8ft. 2in. fully extended
(122cm. by 249cm.) circa 1780, with restoration.

HOLE DESK OR DRESSING TABLE, of triple bow-front
form, the top with reeded edge, three frieze drawers and
each pedestal with a bowed door enclosing tray shelves
on a phnth base, 2ft. 4′Mn. high by 4ft. min. wide (72cm
by 138cm.) circa 1800.

A GEORGE III MAHOGANY SERPENTINE-TOP CARD TABLE,
on square tapering legs and block feet, 2ft.
high by 2ft. 7in. wide (74.5cm. by 79cm.) circa 1780.

A GEORGE III MAHOGANY SIDE TABLE with semi-
circular top and panelled tapering legs, 2ft. 103Ain. high
by 4ft. 3in. wide (88cm. by 129cm.) circa 1785, the frieze
now containing a drawer.

A REGENCY MAHOGANY TRIPOD TABLE, the
rectangular hinged top on slender ring-turned baluster
stem and reeded downeurved legs ending in bun feet,
2ft. 3′hin. high by 2ft. lin. wide (70cm. by 63cm.)
circa 1805.

A LATE GEORGE III MAHOGANY WRITING DESK
with a tambour front enclosing a fitted interior and
writing slide above a pair of frieze drawers on square,
tapering, fluted and stop-fluted legs, 3ft. 5in. high by 3ft.
‘hin. wide (104cm. by 93cm.) circa 1790.

A REGENCY BREAKFAST TABLE, the rectangular hinged top with
reeded edge on a ring-turned baluster stem and reeded sabre
legs ending in brass castors, 2ft. 4in. high by 4ft. wide (71cm. by 150cm.) circa 1820.

A PAIR OF GEORGE III MAHOGANY GAMES TABLES,
the rectangular tops with reeded borders and deep
chamfered corners, the friezes inlaid with stringing and
raised on turned tapering legs, 2ft. 5′hin. high by 2ft.
ll3Ain. (75cm. by 91cm.) circa 1800, one with Upper
section of top replaced.

A FINE GEORGE III MAHOGANY THREE-PEDESTAL
DINING TABLE, each pedestal with a vase-shaped stem
and downcurved legs ending in brass castors, 2ft. 4in.
high by 8ft. Hin. long by 4ft.deep (71cm. by 274cm.
by 136cm.) circa 1800.

A GEORGE III MAHOGANY TWO PEDESTAL DINING
TABLE, with rounded square ends on nng-turned
baluster and reeded sabre legs, ending in brass.castors
2ft. 5in. high by 6f, Win. long by
209cm. by 122cm.) circa 1815.

A REGENCY MAHOGANY SOFA TABLE, the top
crossbanded in satinwood and inlaid with boxwood
stringing with two real opposing two dummy drawers,
and with D-shaped flaps, on trestle supports joined by
an arched stretcher, 2ft. 5in. high by 5ft. lin. wide (74cm.
by 155cm.) circa 1805.

A LATE GEORGE III ROSEWOOD SOFA TABLE, with
two frieze drawers in one side, on a ring-turned baluster
stem carved with lotus leaves and down-curved sabre
legs, ending in downcurved feet and castors, the whole
inlaid with brass stringing, 2ft. 4in. high by 5ft. ‘Mn. wide
(71cm. by 153cm.) circa 1815.

A REGENCY MAHOGANY SOFA TABLE, with
D-shaped flaps crossbanded in satinwood, the frieze
with one real and one dummy drawer on lyre-shaped
scrolling supports and sabre legs joined by an arched
stretcher, 2ft. 6in. high by 5ft. o’frin. wide (76cm. by
169cm.) circa 1815.

A GEORGE III MAHOGANY SOFA TABLE, with
D-shaped flaps and one real and one dummy drawer in
the frieze on trestle supports, joined by a ring-turned
stretcher on moulded sabre legs ending in brass castors,
2ft. 4in. high by 5ft. VMn. wide (71cm. by 156cm.)
circa 1810.

A PAIR OF GEORGE IV MAHOGANY CARD TABLES,
with canted corners and swivelling tops, raised on four
turned pillars, a platform and canted sabre legs, inlaid
throughout with a pale wood stringing, 2ft. Hin. zoide
(89cm.).

A WILLIAM IV ROSEWOOD CENTRE BREAKFAST
TABLE, the circular top with a beaded edge on a triangular
pillar and moulded beaded base and concave platform,
on moulded ball feet, 2ft. in. high by 4ft. 3′/2in.
diameter (72cm. by 130cm.) circa 1830.

A WILLIAM IV ROSEWOOD-VENEERED WORK TABLE,
with rounded corners, frieze drawer above a U-shaped
back support with turned pillar and coneave rectangular
base with bun feet, 2ft. 4in. high by 2ft. Hin. open (71cm.
by 89cm.) circa 1835.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE
with a baize-lined interior, crossbanded in satinwood, on
square tapering legs ending in block feet, 2ft. 5in. high by 3ft.
wide (74cm. by 91.5cm.) circa 1790.

A GEORGE III MAHOGANY SIDE TABLE with
crossbanded top and a hinged flap panelled to resemble
two long drawers, with a curved apron and square
tapering legs ending in spade feet, the whole inlaid with
ebony stringing, 2ft. high by 2ft. 4in. wide (80cm.
by 71cm.) circa 1790.

A GEORGE III PROVINCIAL MAHOGANY DRESSING
TABLE, the rectangular top with adjustable dressing
mirror on ratchet support, with two long and two short
drawers round a kneehole, on square tapering legs and
brass castors, 2ft. lO’hin. high by 2ft. 9′/2in. wide (87cm.
by 85cm.) circa 1800.

A REGENCY MAHOGANY CARD TABLE, the hinged
top crossbanded in rosewood, with a beaded frieze and
spirally ringed baluster stem on a concave platform
stretcher and hipped sabre legs ending in lion-paw
castors, 2ft. 5V2in. high by 3ft.wide (75cm. by 92cm.)
circa 1815.

A GEORGE IV CIRCULAR MAHOGANY TRIPOD TABLE
of George II style, with hinged top, baluster stem and
plain cabriole legs with pointed pad feet, 2ft. 4in. high by 2ft. 6in.
diameter (71cm. by 76cm.) circa 1820.

AN EBONISED PARCEL-GILT REGENCY CHEVERET
TABLE, the superstructure with a brass three-quarters
gallery above a pair of grille-filled doors flanked by lotus-
carved baluster columns, the frieze decorated with an
olive leaf motif centred by a rosette, on ringed tapering
legs joined by a platform stretcher, 3ft. 9in. high by 2ft.
wide (114cm. by 61cm.) circa 1815.

A LATE GEORGE III MAHOGANY PEDESTAL PEMBROKE
TABLE, the rectangular top with rounded corners, with
a frieze drawer and central reeded column on four
moulded legs, 2ft. 4in. high by 2ft.wide
(71cm. by 90cm.) circa 1820.

A GEORGE IV MAHOGANY CARD TABLE,
with a hinged swivelling top enclosing a well, supported
on two ring-turned columns and a concave platform with hipped sabre
legs and brass castors, 2ft. 4V2in. high by 2ft. 11in. wide (72cm. by 90.5cm.) circa 1825.

A LATE GEORGE III MAHOGANY BREAKFAST TABLE,
the circular top with turned column and four legs, 2ft. 5in.
high by 4ft. 3in. diameter (74cm. by 130cm.) circa 1815, originally
part of a pedestal dining table.

A WILLIAM IV GILTWOOD SIDE TABLE,
with verde antico marble top and a pair of massive
foliate scroll supports, resting on a rosewood-veneered base with
giltwood egg and dart moulding and a mirrored backboard, 3ft. 3in.
high by 4ft. 8in. wide (99cm. by 142cm.) circa 1830, distressed and gold painted.

A WILLIAM IV ROSEWOOD TRESTLE TABLE, the
rectangular top with rounded corners and inlaid with a
satinwood band, with a drawer in the frieze and simple
trestle Supports, 2ft. high by 2ft. 4in. wide (70cm.
by 71cm.) circa 1830.

A WILLIAM IV ROSEWOOD BREAKFAST TABLE, the
circular top with a gadrooned border, the hexagonal
stem with concave-sided triangular base on gadrooned
feet, 2ft. 5′/2in. high by 4ft. 6in. wide (75cm. by 137cm.)
circa 1835.

A WILLIAM IV MAHOGANY TEA OR GAMES TABLE,
the rectangular hinged top with a beaded edge, on
columnar lotus-leaf carved pedestal and concave
platform stretcher on reeded bun feet, 2ft. high by
3ft. wide (75cm. by 91.5cm.) circa 1830.

A WILLIAM IV MAHOGANY GAMES TABLE, the top
with a central sliding panel enclosing a backgammon well
and reversing to form a chessboard, with two drawers
flanking an arch with a dummy drawer, on piain trestle
supports, 2ft. high by 2ft. Hin. wide (77cm. by
89cm.) circa 1830.

A FLEMISH PARQUETRY SIDE TABLE,
the rectangular top with concentric oyster-veneered
circles in olivewood with hollywood stringing, a drawer
in the frieze and turned legs joined by wavy stretchers, 2ft. 6in. high by 3ft. wide (76cm. by 95cm.)
circa 1700, legs and stretchers replaced.

A GEORGE I WALNUT TABLE, with a moulded mottled pale
apricot-coloured top and rounded corners, the frieze with a
drawer at each end, the turned legs with lappets and pad feet, 2ft.
5in. high by 2ft. 8in. long (74cm. by 81cm.) circa 1725, marble modern.

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DESKS  Victorian, Edwardian Pedestal
A handsome burr walnut pedestal desk with superstructure including a sloping writing surface, drawers and a turned baluster gallery. A type of desk once rather despised for its superstructure, which was often
removed to convert the piece into a flat-topped pedestal desk of more Georgian appearance. Now, however, the form is coming into its own as a genuine Victorian one with its own usefulness. 1855-1885
A mahogany cylinder bureau with a kneehole. The pedestals each have three drawers and under the sliding tambour there is a writing surface with six small drawers and letter compartments. It is a type illustrated in
several catalogues of the 1870s and 1880s, although the design goes back to earlier George III forms. This is a very plain version. 1870-1890
The Victorian era was a great boom time for the pedestal desk, which was clearly much more popular for a long time than the fall-front or cylinder bureau. Not only for domestic use but also for equipping the thousands of offices which developed throughout the industrial scene, this form was adaptable to several varieties and types of wood. On the whole, oak and mahogany prevailed due to their endurance. Walnut and other woods, apart from pine, tend to be more highly valued for this reason.
The desk was made and reproduced throughout the entire period covered by this book (and still is). Where possible, approximate dates have been shown but some types such as ‘Georgian partners’ or ‘Chippendale’ can be very difficult to date precisely.
A highly decorated Reformed Gothic desk in a style which brings Burges, Seddon, Talbert and Eastlake to mind. Burges and Seddon would go for such lavish decoration; all of them would use the diagonal planking and pillared columns with central collars. It is interesting to compare this version of Gothic with that of ‘Chippendale’ shown in no. 325 in this section. 1860-1870
The designer of this pedestal desk has imbibed more than a little of the spirit of Reformed Gothic  note the panelled sides and slightly ‘revealed’ construction, with shaped feet.
A mahogany pedestal desk of a type made fairly continuously throughout Victoria’s reign and onwards to the present day. There is a tooled leather top, three drawers in the frieze and three drawers in each pedestal.
The moulded edge is a fairly bold type and so is the thumb nail moulding around the base.
A plain mahogany pedestal partners’ desk of large dimensions  three feet by six feet  with drawers in each opposing side, the concept being that the two partners involved could work at the same desk, facing each
other.
1870-1890 but a type made on into the present day
A carved oak pedestal desk with characteristic lion-mask carved handles to the drawers. The late Victorians and Edwardians were fond of carved oak  a taste for the medieval transmitted to them by the work of the
Gothic reformers, who would have hated this piece. 1895-1915
A further version of a carved oak pedestal desk with lion-mask carved handles. The ‘Elizabethan’ effect has been taken a stage further by the inclusion of reeded bulbs on the legs. More carving has been packed on in
foliage form and the top edge is also carved with leaf forms.
A mahogany partners’ pedestal desk on carved serpentine bracket feet in ‘Chippendale’ style. The canted corners are carved with leaf and foliage decoration and the top edge is gadrooned. The top is inset with tooled leather. A straightforward high quality piece which states that it is reproduction from the carved decoration.
A mahogany cylinder bureau or pedestal desk on serpentine feet with a pierced brass gallery rail around the top. The piece is inlaid with marquetry of 18th century inspiration (Adam, Hepplewhite and Sheraton all
spring to mind) including the splendid central vase in an oval panel on the cylinder front and swags, husks, leaf and floral decoration elsewhere. It has been said of other ‘Edwardian Sheraton’ pieces that the craftsmen
of this period had a tendency to over-egg the pudding and this piece is inclined towards an example of this trait. There is just a bit too much decoration, a tendency to flashiness which distinguishes the piece from its
18th century original. A handsome piece, nevertheless, requiring some first class craftmanship to execute.
1890-1910
A mahogany pedestal desk in the early Georgian manner, with clustered columns on the pedestal corners and Gothic blind fret tracery around the frieze. There are three drawers in the frieze on the viewed side, with
three drawers in each pedestal below. The out-of-view side has three drawers in the frieze and cupboards below  an arrangement normally fitted to a ‘Partners’ desk but in fact allowing the desk to be viewed
favourably from both sides. The quality of workmanship and carving is high  note the carved moulded edge to the top and the plinth around the base. 1920-1940
A walnut ‘Queen Anne’ kneehole desk, made as an accurate reproduction of a period piece. The top is quarter veneered and the drawers have a diagonal banding and lip moulding round the edges. The pierced handles
are a little late in design for the period of the desk, but otherwise the proportions and restraint of the veneers are a good copy. 1920-1930
right) A somewhat 1930s interpretation in the use of matched figures walnut veneers on the drawer fronts but without excessive over-figure or burring (’Queen Anne’ versions of pedestal desks, with feather banding,
etc., etc., were not uncommon in the 1930s). The choice of ring handles, however, if original, is odd.
An inlaid mahogany kidney-shaped pedestal desk or writing table in the Sheraton manner, with boxwood inlaid stringing lines and set on square tapering legs ending in brass castors. The top is inset with tooled leather.
The kidney-shaped desk is a perennial favourite and can often be highly decorative, with burr veneers and marquetry adding enormously to value.
A rather spindly cabriole-legged writing table-cum-pedestal desk, half way between either definition, which shows how, in Edwardian times, there was a movement towards versions of the ‘Queen Anne’ style which
heralded the outburst of burrs and cabrioles of the 1920s. In this case the decoration of the drawers is late 18th/early 19th century Sheraton in origin, whereas the legs are somewhat apologetic cabrioles, i.e. a version of an early 18th century style. The piece is in mahogany, which is not a Queen Anne wood. 1900-1910
A high quality mahogany pedestal desk, on square tapering legs, with inlaid boxwood stringing lines. There is a brass gallery rail about four inches high at the back, which has a diamond-pattern fret. By using the
stringing lines to describe panels on the drawer fronts and facings of the frame, the makers have managed to convey the impression of a restrained, quality piece. c.1900
A mahogany half-pedestal desk of Sheraton style with drawers banded in satinwood. The top is inset with tooled leather.
Figured walnut and cabriole legs  a 1920s pedestal desk of considerable quality, showing the onset of the modified Queen Anne styles which became so popular. This is a slightly more modernised approach
than the slavish copies of the style that were prevalent. 1920-1930

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DESKS: CYLINDER AND TAMBOUR
About 1780 onwards
Both terms are used to describe any desk with a superstructure enclosed by a half- or quarter-round sliding lid which disappears into the structure when lifted. A cylinder top has a continuous smooth surface; a tambour is slatted. This type of desk originated in France a little earlier.
Early examples (about 1780-1830) mostly with a base as a lady’s writing-table (see BONHEURS DU )OURS, P. 108), but often larger and sometimes with extra lower drawer on each side. Frequently an upper cabinet or
bookcase above. Super-structure fitted with small drawers, pigeonholes. Sometimes the inner writing-surface pulls forward as top lifts. If quarter-round (most common type) the flat shelf at the top bordered by a brass gallery.
Pedestal versions (mostly tambour) about 1870 onwards. Similar interior fittings; inset leather (later ‘imitation’) writing-surface. Flat
George III satinwood tambour desk with pedimented bookcase above.
top above bordered by low wooden gallery. Tambour sometimes serpentine instead of quarter-round.
At all times lid on both types lifted by two (occasionally one) knob(s) or handle(s) fitted at its base.
Mahogany, occasionally satinwood in 18th/ early 19thC. Commonly mahogany or oak in Victorian, Edwardian and inter-war periods. Mahogany or pine for carcases when veneered, with mahogany or oak for drawer linings. Matching timber usually used for interior fittings, but popularly ’satin walnut’ from about 1870.
Standard methods employed.
Tambour: Constructed of large number of horizontal laths or narrow mouldings, laid close together, their flat sides glued to a piece of stiff fabric.
Note: These are often damaged  especially if the fabric and glue have dried out  and are difficult and expensive to repair. Do inspect the tambour carefully and open and close it several times to make sure it functions well.
Cylinder: Always veneered; on base composed of many long and narrow, angled or grooved, pieces of timber, planed on the outer edge to provide a smooth surface.
Both types slide in grooves cut in sides of superstructure.
Some restrained inlay on early writing- table types; more pronounced inlay, occasionally painted decoration, on Edwardian Sheraton revival versions. Seldom any decoration  not even interesting figured woods  on
pedestal.
Handles: Standard for dates. Brass bail or ring on table type; wooden knobs, joined by various metal handles around 1870, in 19thC. Horizontal wooden pulls after 1900.
Stain followed by polish. French polish from about 1820.
Victorian and later oak more often stained a light honey colour rather than the usual dark, treacly, brown.
Early-19thC mahogany tambour desk.
VALUES
Very large numbers of these desks were mass-produced for office use beween the wars (though some would date them pre-1914). Characteristic features are horizontal wooden pull handles on lower drawers,
rectangular metal label frames (either with integral pull or separate small turned knob) on inner drawers, panelled back to recess and simple curved apron at front. Plywood drawer linings will be an instant giveaway.
Early writing-tables rare and correspondingly expensive: even Edwardian reproductions fetch four-figure sums. Victorian pedestals relatively less; only the meanest half-pedestal or coarsely-made inter-war pieces found for three-figure sums.
Late-19MC mahogany tambour pedestal desk, much more common in oak with wooden pull handles.

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